Or: Let’s see how many people we can Other with “humor” in under five minutes.
A lovely instance of White Librul Dood values — at least, what they’re willing to participate in on national television. For those of you who want to save your stomachs and not watch*, in the first four and a half minutes of the interview, Perry makes jokes** with a trifecta of punchlines: misogyny! racism! and homophobia! (Oh, my side, it hurts from laughing. Har, har.)
He starts out with this gem. It’s nearly the first thing he says.
Perry: She [Kudrow] doesn’t return my calls anymore, but there’s a certain section of road right by her house that if you park your car at the right time, you can see right into her window.
Letterman: Can you give the coordinates on that a little later?
Perry: Absolutely—during the break!
[uproarious laughter from audience]
Followed by this, a bit later in the interview:
Perry: I started to think, okay, [M. Night Shyamalan] really likes me… no no no not…
[laughter from audience]
Perry: … I actually didn’t mean it that way.
Perry: I realize, the whole time—it’s not M. Night Shyamalan. It’s just an Indian guy.
Letterman: [laughing a bit uncomfortably] Wow. I don’t know what to say about that.
I simply ADORE the fact that Letterman plays into the stalking schtick with good humor, chuckles at the homophobic comment, but looks “uncomfortable” at the racism. Oh my, we can’t be seen being politically incorrect, can we? Getting caught at racism, or being complicit with racism***, that’s a no-no. But don’t forget, it’s not a good Librul White Dood setup without some misogyny thrown in, because stalking is always good fun, and we have to assure folks that we are Not Teh Gay!!!1eleventy!
But what do I know about funny? I’m just a humorless feminist.
h/t (and a couple transcript sections stolen from) Shakesville
* Or, you know, when the video goes away from YouTube.
** They must be jokes. People were laughing. One must assume they were funny.
*** This is not the Oppression Olympics. I think it’s telling that, of all the bad things to do, racism is the only thing that Letterman looks (or sounds, when he’s off-camera) uncertain about. It’s more the reaction of a kid who doesn’t mind doing something naughty; he just doesn’t want to get caught.